Third

Description

Third is the stunning third album by Nathan Salsburg, one of his generations most gifted and idiosyncratic acoustic guitarists. Its been five years since his last solo record (Hard for to Win and Cant Be Won, 2013) but not because he hasnt been playing guitar. In the intervening years hes backed up Joan Shelley on three releases and several hundred live dates; put out a collection of guitar duets with multi-instrumentalist James Elkington; teamed up with fellow Louisvillian and neighbor Bonnie Prince Billy on an EP; and contributed playing to records by The Weather Station, Wooden Wand, Watter (whats with the Ws?), Jake Fussell, and Red River Dialect. Meantime hes also managed to keep his head above water at his day job as curator of the Alan Lomax Archive. The original pieces on Third, his first strictly solo guitar recordno singing, no guestswere composed in fragments of down-time, with little expectation that they would ever come to comprise a collection: Impossible Air, was written in a converted cow-shed outside of Eeklo, Belgium; Sketch from Life, while watching college basketball on TV. Exilic Excursions resisted completion for nearly four years. The songs, as others have before them, distill a love of old-time dance music and rural ragtime; the melody-centric compositions of American guitarists Peter Lang and William Ackerman; and the work of Scottish and English folk-revivalists like Dick Gaughan, Dolly Collins, and especially Nic Jones, whose monumental arrangement of the pipe tune Planxty Davis has been adapted here in turn. And they all display a notable increase in confidence and ease, as Salsburg has quietly, persistently established a style marked by a depth and a complexity that are utterly his own.