Description

As odeath wrapped up production on their third studio album Outside at the end of 2010, lead-singer/guitarist Greg Jamie relocated to Biddeford, Maine, to take over a local music and arts venue and turn it into The Oak and The Ax. Since then, Maine and The Oak and The Ax have become a second home for odeath and eventually the location for the recording of their fourth full-length studio album.

The band convened in South Portland, ME, to work with lo-fi recording guru, Caleb Mulkerin (Big Blood, Fire On Fire, Cerberus Shoal) and to take advantage of the homey space in Biddeford they had performed in many times since 2011. On Out of Hands We Go, odeath return to a focus on live performances with Jamies voice and lyrics planted firmly in the center of the bands dynamic arrangements, a stark departure from the multi-tracked and meticulously overdubbed Outside.

Greg Jamies strength as a lyricist is his ability to create evocative images and details that come together to form a narrative if the listener is ready to walk the path. Out of Hands We Go contains stories of a more personal nature, abandoning horror-film vignettes in favor of heartbreak (Heal In The Howling, Herd, Apple Moon,), defiance (Roam, Wrong Time, Wait For Fire) and ultimately triumph (All Is Light, We Had A Vision) before culminating in the climactic Isavelle that fires on all dramatic cylinders.

Out Of Hands We Go is raw and primal, with rippling banjo set against a crackling backdrop that doubles both as the sound of old vinyl and the campfire around which songwriter Greg Jamies personal demons are exorcised Peter Watts, Uncut Magazine