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The album I never thought Id get to write Wilko Johnson
Im supposed to be dead! Canvey Islands Dr Feelgood guitar legend Wilko Johnson was diagnosed in late 2012 with terminal pancreatic cancer. However, despite the doctors worst predictions, he continued to perform with a new lust for life and even made the most successful album of his career Going Back Home with the legendary Roger Daltrey.
Following that albums remarkable success he announced that thanks to a third opinion from a doctor moonlighting as a rock photographer and life-saving surgery, he was now cancer-free. With customary humour Wilko said of this late-career resurgence Man, theres nothing like being told youre dying to make you feel alive.
Blow Your Mind is Wilkos first album of new material in 30 years, and is the sound of a man feeling very much alive.
Joining Wilko on the album are his long-standing band; Norman Watt Roy on bass and Dylan Howe on drums along with producer Dave Eringa who worked with them on the gold-selling album Going Back Home with Roger Daltrey. Describing the record as The album I never thought Id get to write it deals with the trials and tribulations that he faced in the last five years, songs such as Marijuana and Take It Easy deal very directly with the terminal diagnosis he was given.
Speaking about the first sets of lyrics that hed written in three decades Wilko says Its tricky when you get to seventy years old, because what am I supposed to be singing? I love you, baby, but you done me wrong? Come on! Thats kind of a problem. But I never thought that Id be the sort of person to write songs about different sorts of real-life experiences until I got sick.
Anyone expecting that Wilkos particular brand of R&B to be softened by such heartfelt lyrics is in for a surprise, if anything his guitar style of the chop as he calls it, is even more aggressive. The introspection of some of the tracks on the album is more than balanced out by the good time upbeat party feel of the title track, Beauty and I Love The Way You Do that have the urgency of Wilkos earliest work with Dr Feelgood.
On going back into the studio after everything that hed been through, Wilko has this to say about the 12 tracks that make up Blow Your Mind I didnt really intend to ever use them and, obviously, I didnt know if Id ever get back into the studio. One of those songs, thats a reflection of that time, about sitting around the house at night knowing that deaths coming; weve recorded it, and itll be on the album. Its actually quite a cheerful one, too!
Producer Dave Eringa puts it succinctly I never expected to be making another Wilko Johnson album after Going Back Home but what a pleasure & a privilege it was to be able to capture Wilkos first new songs for 30 years! He is one of musics true gentleman literate, intelligent, & articulate but still rocknroll as f***!
ABOUT WILKO JOHNSON
Born on Canvey Island in 1947 Wilko studied English at Newcastle University before doing a bit of travelling had aspirations to be a teacher before rock and roll came calling. Wilko was lured into music by his first Fender Telecaster, bought from a music store in Southend, Essex and soon became the strutting, grimacing, six-string rhythmic powerhouse behind Lee Brilleaux in Dr Feelgood. Throughout the mid-70s, Wilko duck-walked his way across countless stages and venues in the UK with Dr Feelgood in the vanguard of the pub rock movement, performing the gutsy down-to-earth rock and roll that was a welcome antidote to prog-rock. His influence was felt in bands up and down the country, and later in the emergent punk revolution (Joe Strummer of the Clash bought a Tele after seeing Wilko play). Dr Feelgood had four successful albums in Wilkos time, followed a busy creative period playing in an early incarnation of the Wilko Johnson Band, the Solid Senders, before he joined Ian Durys band The Blockheads, in 1980.
All through the 80s, 90s and into the new millennium he continued to gig in the UK, Europe and Japan. But it was when Julien Temples award winning Oil City Confidential came out in 2009, with Wilko emerging as the films star, that the world once again sat up and paid attention to his extraordinary talent.
His career took another twist in 2010, when he was offered an acting part in the hit series Game of Thrones, playing the role of mute executioner Ilyn Payne. He appeared in 4 episodes shown in 2011 and 2012.
2014 saw the release of the hit album Going Back Home, Wilko Johnsons collaboration with Roger Daltrey, which went to Number 3 in the UK album charts. The pair decided to work on the album together not just because they were both huge fans of Johnny Kidd and the Pirates, but because, as Wilko was still believed to be dying from cancer, it was believed that theyd better get on with it.
In 2015, Wilko and Julien Temple teamed up again for the documentary The Ecstasy Of Wilko Johnson, a film, which explored Wilkos diagnosis of terminal cancer, and the unexpected reprieve that followed. The film would become quite the hit, captivating audiences whether they saw it on the big screen or on BBC 4, and earning a Kermode award in 2016.
Wilkos new memoir, Dont You Leave Me Here was published in Spring 2016 via Little, Brown.
ABOUT NORMAN WATT-ROY
One of the most in demand bass players of his generations and was virtually the in house go to guy for the legendary Stiff Records playing on tracks by Nick Lowe Rachel Sweet and Jona Lewie as well being a founder member of Ian Dury The Blockheads and his sessions for the likes of The Clash and Frankie Goes to Hollywood, Madness, Nick Cave, Roger Daltrey and Viv Albertine.
ABOUT DYLAN HOWE
Dylan has played with a great array of artists from Ian Dury and the Blockheads, to his Dad Steve Howe as well playing with Nick Cave, Damon Albarn, Ray Davies, Paul McCartney, David Gilmour, Beth Gibbons, Gabrielle, Hugh Cornwell. In 2014 Dylan released his highly acclaimed new album: Subterranean New Designs On Bowies Berlin. A radical new take on the instrumental cuts from David Bowies 1977 albums Low and Heroes. Which received the official endorsement from David Bowie himself stating: Thats a top-notch album youve got there. Really.
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