Description
Stripped-Back, Unobtrusive 1967 Album a Mellow Return to Dylans Roots and a Harbinger of Country Rock! Ranked #301 on Rolling Stones 500 Greatest Albums of All Time List
Hear the Musical Cousin to Dylan and The Bands The Basement Tapes in Extraordinary Fidelity Includes Original Version of All Along the Watchtower
Leave it to Bob Dylan to follow three of the most pioneering electric-based albums in history by again deviating from the norm and straying from expectation. Hinting at a return to his folk roots and firmly pointing toward the field that became country rock, John Wesley Harding breathes with relief and freshness, the sound of an artist re-engaging with the past, forging a future, and stepping into new realms after recovering from an accident and unimaginable pressure.
Mastered on Mobile Fidelitys world-renowned mastering system and pressed at RTI, this restored SACD version presents the 1967 album with the finite details and impressionistic tones. Immediately notable for the slimmed-down instrumentation, brisk flow, and simple approach, the record continues to endure via a rustic, era-defying naturalism tied to the organic sounds and warm production swathing Dylans acoustic guitar, mellow voice, breezy harmonica, and minor accompaniments. All of these traits translate with incredible realism and lifelike air on this reissue, which also brings out the low end of Charlie McCoys bass with a previously unheard supple character.
Recorded around the same time as the sessions that yielded The Basement Tapes, John Wesley Harding came together after just three studio sessions and approximately 12 hours of time. While many specifics are shrouded in mystery, a majority of songs are tied to Biblical figures, ominous matters, and morality themes. Making not just a clear sonic break from his most recent efforts, but a songwriting transformation as well, Dylan embraces a strict economy of scale, dropping beat-poetry techniques in favour of stanzas that waste no words and progress narratives at every turn. Its as if the Bard is saying that truth is spoken here. Few, if any artists, have captured the American myth and its population of immigrants, drifters, and outlaws with such convincing scope and parabolic sagacity.
Combined with the lyrical evolution and unabashed move towards country conventions, Dylan manages to turn popular music on its side, forging a subdued hybrid style no other peers had yet attempted. Arriving during a period of intense experimentalism and psychedelia, John Wesley Harding functions as a sigh of relief, a piano- and pedal steel-flavoured set steeped in requisite simplicity in an environment that was increasingly marked by chaos and madness.
Climbing to number two on the Billboard charts and quickly tallying one million in sales, the pared-down work resonated with a public ensnared by its myriad charms. Then, of course, theres the utter brilliance of every one of the songs here, each seemingly occupying a timeless space that suggests they couldve been made in 1967, 1937, or 2007. With All Along the Watchtower, Dylan landed upon a tune that would soon become one of the most-covered and revered tracks in history. And yet it isnt even a standout on an album on which every note just belongs.
Ranked the 301st greatest album of all time by Rolling Stone, its nothing less than seminal.
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