Description
REPRESS IN VINTAGE-STYLED TIP-ON HARD CARDBOARD SLEEVE.
Since its discovery in the late 90s, Dave Bixbys legendary private press album from 1969 is considered by all serious record collectors as the king in the loner/downer folk genre.
After being involved in 60s Michigan folk and garage-rock bands such as The Shillelaghs and Peter & The Prophets, Bixby started playing acoustic guitar and experimenting with LSD. After a year of drug abuse he felt broken. Starting a soul-searching, spiritual journey, he wrote Ode to Quetzalcoatl and most of the material for his second album, Harbingers Second Coming in just one month and a half.
Assisted by fellow musician Brian MacInness, who played some guitar parts on the album, Dave recorded Quetzalcoatl using a echo-laden four track machine in a flats living room. The sound is lo-fi and sparse: just acoustic guitars and some occasional harmonica & flute, added to Bixbys haunting, emotional vocals, spiritual lyrics and solid songwriting. The opening cut, the eerie and painful Drug Song sets the mood perfectly for the rest of the album which contains more tormented titles like 666 , Lonely faces, Open Doors, Secret forestNever an acoustic folk album sounded so intense as this.
Carefully remastered sound from vinyl (no master tapes exists) done at Shadoks Music Studios, insert with extensive and detailed liner notes by Matvei Procak the guy who found Bixby in 2006 plus some rare pictures.
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