Rameau Debussy

Description

Fresh from his hugely acclaimed and multi-award-winning album Johann Sebastian Bach, Icelandic pianist Vikingur Olafssons third Deutsche Grammophon recording pairs works by two revolutionary French composers separated by a century and a half: Jean-Philippe Rameau and Claude Debussy.

Debussy is most often called an impressionist. People get lost a little bit in sound for the sake of sound, Olafsson comments. But the composer was also a real perfectionist there is this incredibly refined structure at work. Rameau, the bad boy of the French baroque, likewise combined a strong sense of structure with a fondness for breaking conventions: He broke the rules and paved the way for new ideas, new creativity, new spontaneity. What unites the two composers, Olafsson comments, is a kind of freedom and discipline, juxtaposed.

The album Debussy & Rameau alternates music by the two composers, creating an enthralling dialogue between them. Works are drawn from across both composers careers, with the Debussy selection including well-known miniatures such as La Fille aux cheveux de lin as well as the less familiar Prelude to La Damoiselle elue arranged for piano solo. Rameaus works are mainly drawn from his Pieces de clavecin collections of between 1724 and 1741. One of the albums centrepieces is Olafssons own Rameau arrangement The Arts and the Hours.

Olafssons album concludes with a piece that connects the two composers directly: Debussys Hommage a Rameau from Images book 1, a moving sarabande written as a tribute from one rule-breaking composer to another.