Description
In 1988 Mudhoney released their debut 7 single, Touch Me Im Sick, and it rapidly became the defining anthem of the Seattle scene that, shortly thereafter, took the world by storm. Punk? Garage? G****e? Who cares when it rips this much! The B side, Sweet Young Thing Aint Sweet No More, aint no slouch, either.
Later in 1988, the band followed up with Superfuzz Bigmuff, a six-song EP so overflowing with chaotic rock energy it warped thousands of minds, and inspired countless guitarists to immediately search for the titular fuzz pedals.
In the words of Dynamite Hemmorages Jay Hinman: My feelingand I know Im not alone in this oneis that for all the play and worldwide attention several Seattle-area bands got during the 1988-92 period, at the end of the day (and even at the time), there was Mudhoneyand then there was everybody else. To me, you, and most everyone who was paying close attention to underground rock music during those years, Mudhoney still sound like the undisputed kingpins of roaring, surging, fuzzed-out, punk rock music. These first recordings were so life-affirming upon their release, connecting everything great about the sixties (biker movies, fuzzboxes, old guitars, three-minute songs) with the frothing, punk rock of the early 80s, that a whole new style of music was born. They called it grunge, but to me it was amped-up, clear-the-room, ramalama rock that exploded like Nagasaki live, and it was about as joyous and as fun a noise as anyoned heard in years.
These 2023 colored-vinyl editions of the two releases celebrate the 35th anniversary of Mudhoneys opening salvos, and we couldnt be more excited to have them back in print.
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