Description
Seismic shifts happened between the previous years Shades Of A Blue Orphanage and 1973s Vagabonds Of The Western World. Frontman Phil Lynott was still documenting working class life in the groups native Dublin, and the band still featured guitarist Eric Bell and drummer Brian Downey, even if Bell was soon to leave; the shift was in the feel of the album. Between Jim Fitzpatricks lurid album cover which depicted the band in space, the new, hot-rod-like Thin Lizzy logo, and Lynotts newly throaty howl, its possibly the first Thin Lizzy album on which they truly could be described as a hard rock presented a swaggering confidence, a band buoyed by the success of semi-accidental smash hit Whisky In The Jar, and carved out a moody, dark sound by borrowing bits from the blues, folk, psych, and Celtic music. Check out Slow Blues for proof, and decide whether Lynott or the guitars win the wail-off that begins the In The Jar had been a bone of contention for the band who felt it didnt represent them. Pushed out due to their presence on package tours with rockers Slade and Suzi Quatro, it seemed to seal their fate, and their Vagabonds single, The Rocker, set out their stall for good. The weirdness and idiosyncracies of Phil Lynotts early songwriting hadnt been ironed out completely: The Hero And The Madman saw them try their hand at acid-fried cowboy rockif such a thing ever the album, and after Bells departure due to ill health and disillusionment with the music industry, Thin Lizzy were reinvented once again. Lynott recruited two guitarists and the band left Decca to record Nightlife for Phonogram. Their big hits and glory yearsbeginning with 1976s Jailbreak were still ahead of them, but, with Vagabonds as a centerpiece, Thin Lizzys early years left behind a cabinet of curiosities.
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